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Attending drop-in classes is still a viable option, and you can gain valuable knowledge and experience many benefits. However, it's important to note that consistency is key to accelerating your learning process. A fragmented education from drop-in classes can result in missing pieces of information and create gaps in your understanding. These gaps will eventually require additional time and effort to fill. An education that lacks continuity is not as effective as one that is sustained and consistent. Explore more details on tangosecretsbook.com 🤗

The quest for perfection in tango dancing need not be about mastering a set number of steps. The focus should be on understanding the underlying principles and simple rules. As you progress, you'll encounter various physical and emotional stimuli that will enhance your learning experience.

The outdated notion of learning tango through a rigid 8-step pattern is not only confusing but also irrelevant in the social tango scene. The tango dance itself may have remained largely unchanged over the years, but the methods of teaching and learning it have undergone significant advancements.

The 8-step pattern or 8-count basic in the tango dance is a sequence of obsolete steps, never danced at a social level, and is partially responsible for turning away thousands of people from the tango culture. Find out more at tangosecretsbook.com 👈🏽

You don't need to bring a dance partner to the class. Partnering will be assigned randomly in the class. While it's beneficial to have a registered dance partner, many people choose to start alone and the educator will facilitate this. Uncover exclusive details at tangosecretsbook.com 👍🏽

You need to put in effort and time to make progress in tango dance. Possessing this book gives you a head start. However, it's important to note that ladies tend to reach comparable levels of proficiency in half the time it takes for gentlemen in tango dance. Delve deeper into the details at tangosecretsbook.com 👀

For a musician, the tango represents a complex and remarkable musical composition. A poet views it as a profound and moving collection of words. The historian, though, studies the tango as the true story of millions of immigrants and their impact on South America. When I refer to the tango, I am specifically referring to the tango dance, which differentiates it from the various elements of tango culture such as tango music, tango history, and tango poetry.

To answer your question, let me first clarify this: Dance is the language of artistic kinesis, a definition that I gave back in 2012 for a worldwide dance congress. The tango dance serves as a medium to convey your thoughts, express your inner self, and heighten your physical awareness. Simple, right? Delve deeper into the details at tangosecretsbook.com 🎁

The tango dance, also known as the tango rioplatense, is a highly regarded partner dance that has its roots in European, African, and Indigenous dances. It is a social dance, typically performed by a gentleman and lady in close embrace, with a stalking-like walk and expressive gestures. The steps are improvisational and can range from slow, slithering movements to quick foot flicks and head turns.

This dance is powerful, earthy, and dramatic, and its personalized nature allows for countless variations and styles to develop. The tango rioplatense is a timeless symbol of the tango culture, revered by historians and those involved in the tango world. Uncover exclusive details at tangosecretsbook.com ❣️

The practica is an essential tool for dancers looking to enhance their abilities and fine-tune their skills. It's a space where students can focus solely on their dancing without the pressure of a milonga or the structure of a class. Unfortunately, the distinction between practica and other events has become blurred in recent times, leading to a loss of the true purpose and significance of practica.

This hybrid form, known as the practilonga, is typically less expensive than a milonga or class and is attended by participants who pay a fee to participate. It can take on 2 different forms:

1. Guided. The practica in which educators guide the attendants and answer their practical questions.

2. Self-guided. The practica in which the attendants are free to practice with the subject they want. Explore more details on tangosecretsbook.com 👀

The floor craft is a crucial aspect of the etiquette in tango dance that governs the ronda. The ronda refers to the imaginary lane, or cycle, in which each dancing couple should move counter-clockwise on the dance floor in a milonga. It is a key skill that can be learned from experienced educators.

A strong understanding of floor craft is essential to give you the confidence to dance in a milonga. It is important to avoid dancing away from the ronda, such as in the center of the floor or clockwise, to prevent accidents. Further information disclosed at tangosecretsbook.com ❤️

The roles of the lady and the gentleman in tango dance are not unequal in their challenges and creative potential. They are complementary and interdependent, each reflecting and relying on the other. Both the lady and the gentleman require a range of skills to dance tango effectively.

The role of the lady, in particular, is unique in that she must respond to the physical energy of the gentleman, creating a harmonious and artistic movement to the music, often utilizing up to 75% backward steps. Additional insights available on tangosecretsbook.com 🚀

The tango dance is inclusive, welcoming individuals of all ages, races, genders, physical abilities, and cultures. Those who take up tango dancing possess unique traits that set them apart. Gentlemen who stay with the dance often exhibit persistence, curiosity, self-confidence, and humility.

Ladies, on the other hand, have a natural grace and an unending desire to express themselves creatively through the dance, which contributes to their overall physical and mental well-being, further enriching the tango community worldwide. Explore the finer points at tangosecretsbook.com ✈️

Dance amplifies your life forever. These are the 4 areas:

1. Socialization. Dancing the tango leads to enhanced socialization. Through this dance, you'll be able to connect with new individuals, expand your social circle, and develop stronger social skills. With tango, you'll find yourself becoming more open and approachable to others, leading to new friendships and a broader network.

2. Awareness. Dancing the tango is a journey of self-discovery. It allows you to understand your behavior, body language, and thought processes, leading to a better understanding of who you are as a person. By embracing this dance form, you will gain new insights into your cultural background and learn to appreciate the differences in other cultures, ultimately leading to a more self-aware life.

3. Physical and mental.

4. Self-expression. Unlock additional insights at tangosecretsbook.com 🍾

Dancing is similar to mastering a new foreign language. Start by learning the basics and gradually progress to more complex moves. With time, you'll be able to express yourself and communicate through your movements and emotions. Dance transcends cultural boundaries and serves as a universal language that can be understood by all. Get a closer look at tangosecretsbook.com 😘

The tango dance is truly special, as it encompasses all elements that foster social behavior and human relationships through an intimate body language. It satisfies the innate desire of humans to connect with each other.

By providing a platform for close interaction, communication, and self-expression without words, tango brings people together and enhances their overall well-being, both physically and emotionally. Dig in at tangosecretsbook.com 🎯

Don't let fear hold you back! Most dancers start with that same apprehension, but it's all part of the learning experience and the fun. Don't worry, after about two months of practice, you'll find yourself easily switching feet. Remember, everyone has to start from the beginning.

There's no such thing as being born with an innate talent for dance. Give it a try and see for yourself! Find out more at tangosecretsbook.com 👈🏽

In reality, tango is about making connections with others and fostering a respectful and warm community. It's not about competition or showcasing skills, but rather about building relationships through dance.

The over-the-top style often portrayed on television is for show, and not reflective of the genuine and friendly atmosphere found in most tango social gatherings. Additional insights available on tangosecretsbook.com 📱

The tango dance originated from the fusion of different cultures, brought together by millions of immigrants from Europe, African slaves, and Indigenous people of the Río de la Plata region in Uruguay and Argentina. The dance developed in the underprivileged docklands of Montevideo and Buenos Aires in the late 1800s.

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Despite being primarily rooted in European culture, the birthplace of the tango dance is considered to be Rioplatense, rather than Argentine. On September 30th, 2009, UNESCO recognized the cultural significance of the tango dance and music by granting it protected status. Dive into more details at tangosecretsbook.com 🌎

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The name ‘Argentina’ comes from the Greek word Άργυρος (Argiros, silver), which was later evolved in Latin as Argentum (also silver). The La Plata area has no sources of silver, but the first Spanish conquerors arrived following rumors of the existence of silver mountains, hence the name.

The name ‘Uruguay’ comes from the Spanish pronunciation of the regional Guarani (Indigenous) word for its namesake river. There are several interpretations, including bird-river (the river of the urú, via Charruan, urú being a common noun of any wild fowl). The name could also refer to a river snail called an uruguá that was plentiful in the water. Find out more at tangosecretsbook.com 👈🏽

Argentina’s principal maritime port is in the city's Retiro ward and is colloquially known as Puerto Nuevo (New Port). The Port of Buenos Aires handles around 11 million metric tons of cargo per year.

Dock Sud, which is part of the Province of Buenos Aires, is south of the city proper, and handles another 17 million metric tons.

The Port of Montevideo, handling over 1.1 million containers per year, is the most advanced container terminal in South America. Carrasco International Airport, serving Montevideo, is one of the best 4 airports in the world. The airport can handle up to 4.5 million users per year.

Since its opening, it has been decorated with various international prizes which highlight its architectural merits, aesthetics, operative functionality, and services. Explore more details on tangosecretsbook.com 🤗

1868: 68% of Uruguay’s population was immigrants.

1895: 52% of the Buenos Aires population was immigrants.

1911-1953: In Argentina, the government built the installation ‘Hotel de Inmigrantes’ to host all the immigrants that came in for a short time (to accommodate and feed).

1915-1916: An Uruguayan musician, Gerardo Hernán Matos Rodríguez, composed the most famous music piece in the history of tango culture, La Cumparsita.

1917: Artists, including many of the finest Rioplatense poets, started writing quality tango lyrics.

1920s-1930s: Significant additions were made to the tango orchestra (such as a genre and contrabass) by pioneers like Francisco Canaro, which changed tango music forever.

1948: After World War II, Rock n’ Roll slowly conquered the world. It emerged from urban blues, jump blues, country, and gospel roots, becoming the dominant pop music style of the late 1950s. Rock n’ Roll's influence spread quickly, impacting radio, movies, TV, fashion, attitudes and language worldwide. This was the beginning of the end of the tango culture until its resurgence in the 1980s.

1954: Ástor Pantaleón Piazzolla, the world's most celebrated advocate of the tango, moved with his family from Buenos Aires to France after winning a grant from the French government to study in Paris with the legendary French composition teacher, Nadia Boulanger, at the Fontainebleau conservatory. It was Piazzolla’s unprecedented global success and impact with his Tango Nuevo music (as he baptized his unique music genre) that set the solid foundations for the 1980s tango culture resurrection.

1955: In Argentina, the navy plotted against Perón. Perón was the protector of the working classes and national identity, 2 things that tango represented as well. Under him, the genre enjoyed a prosperous golden age. A few months later, Perón resigned during an army coup, which established the Liberating Revolution. The Argentine Revolution and the National Reorganization Process sought to squash the devotees of Peron’s legacy—so-called peronismos, which had both strong right wing and left-wing factions. As a result, many peronistas, including some of tango’s most prominent figures, were exiled, threatened, or simply disappeared.

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Ástor Pantaleón Piazzolla (1921–1992) was a tango composer, bandoneón player, and arranger. His works revolutionized the traditional tango into a new style called Nuevo tango, incorporating elements from jazz and classical music. As a virtuoso bandoneónist, he performed his own compositions with a variety of ensembles. In 1992, American music critic, Stephen Holden, described Piazzolla as "the world's foremost composer of Tango music.” Learn more exclusive information at tangosecretsbook.com 🥳

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Carlos Gardel, born as Charles Romuald Gardes on December 11, 1890 in Toulouse, France, was a renowned tango artist and a symbol of tango culture. He arrived in Buenos Aires in 1893, where he lived in the Abasto neighborhood and went by the Spanish name Carlos and the familiar nickname Carlito. Despite some controversy surrounding his birthplace, Gardel was recognized by scholars such as Simon Collier, Osvaldo Barsky, and Jorge Ruffinelli as having been born in Toulouse, France.

In 1919, he changed his nationality to Uruguayan, claiming he was born in Tacuarembó, in an effort to avoid arrest for not registering for the French Army during World War I. Despite never having lived in Uruguay, a museum dedicated to Gardel was established in 1999 in Valle Edén, near Tacuarembó. Access further details on tangosecretsbook.com ⭐️

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Carlos Páez Vilaró (1923–2014), was an Uruguayan abstract artist, painter, potter, sculptor, muralist, dancer, writer, composer, and constructor. He was one of the few multi-discipline artists in the history of modern art. His singular perspective regarding art forms is considered timeless and is often compared with legendary luminaries of human history.

Vilaró often used references from tango culture in his paintings and murals, like tango dancing couples, tango genres, and bandoneón players. He also composed tango and candombe music, which were later orchestrated and performed by notable tango artists. Further information disclosed at tangosecretsbook.com ❤️

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Jorge Francisco Isidoro Luis Borges Acevedo (1899-1986) was an Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish-language and universal literature. His best-known books, Ficciones (Fictions) and El Aleph (The Aleph), published in the 1940s, are compilations of short stories interconnected by common themes, including dreams, labyrinths, philosophers, libraries, mirrors, fictional writers, and mythology.

Borges' writings are on all things Argentine — "The History of the Tango", "Inscriptions on Horse Wagons", and more. Essays, such as "The History of the Tango", explore Argentine themes, such as the identity of the Argentine people and of various Argentine subcultures. Uncover exclusive details at tangosecretsbook.com 👍🏽

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Alfonsina Storni (1892–1938), was an Argentine journalist, actress, teacher, playwright, feminist, writer and social activist, and one of her nation's most celebrated poets. She was haunted, brilliant, and never one to back down from a good fight with Argentina’s patriarchy. There are 2 clear moments in her writing career: One, truly loving, passionate and erotic; the other, rather experimental, ironic and feminist.

Tango also remembers Alfonsina Storni. Leopoldo Díaz Vélez wrote verses and Francisco Pracánico put them to music, for the song Y nunca Más Tu Amor (And Never Again Your Love). In 2012, Las Chicas del Tango, a then female trio, published their song Oye (Listen), as part of their Finnish tango video trilogy. They used lyrics from her poetry. Delve deeper into the details at tangosecretsbook.com 👀

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The bandoneón, named after German instrument dealer and musician Heinrich Band, is considered the cornerstone of tango music. Originally created as a substitute for expensive church organs, the hand-organ-like instrument was brought to Uruguay and Argentina by German sailors, Italian seasonal workers, and immigrants in the late 19th century.

Declining demand and the disruption of German production during World War II led to the end of mass-production. Access exclusive information at tangosecretsbook.com 🎼

The first classic tango music piece committed to record by an orchestra, led by Vicente Greco, was Mozos Guapos (Don Juan). Alfredo Eusebio Gobbi recorded the new lyrics for Columbia’s label in 1912. Mozos Guapos was included in the discless sound film ¡Tango! (1933), directed by Luis José Moglia Barth, and under the musical direction co-led by the composer Juan Carlos Bazán. Peek behind the scenes at tangosecretsbook.com 🧉

Classic tango music is traditionally played by a sexteto típico (called orquesta típica) with 2 violins, piano, double bass, and 2 bandoneóns. The adjective típica was an idea of the bandoneónist and leader Vicente Greco (Orquesta Típica Criolla Greco). When he was recording his early works, he used it to differ from the other orchestras, which played a book with different rhythms. Investigate additional details at tangosecretsbook.com 🔥

1. Music. Classic milonga is the musical genre created by the mixture of quick-paced genres like the Cuban Habanera, Mazurka, Polka, Brazilian Macumba, Candombé, and Payada. It precedes the classic tango music in history.

2. Dance. The milonga is its own distinct dance style, characterized by its lively, upbeat milonga music. However, it is often overlooked in dance education, leading to a lack of confidence among dancers when faced with milonga songs at social events. Contrary to popular belief, the milonga is not simply a faster version of the tango, but rather a separate dance genre that requires its own set of skills and technique. To truly master the milonga, it is important to give it the attention and dedication it deserves.

Couples dancing at a milonga event

3. Event. A milonga is an organized social event where people gather to dance to tango-related music. Reveal more insights at tangosecretsbook.com 💃🏽🕺🏽

The way for a physical connection between the couple. There are open and close embraces of various kinds and styles. Gain deeper insights at tangosecretsbook.com 🤗

Adornos can be simple or complicated, and/or syncopated skill movements (usually quick) done by both ladies and gentlemen. They are initiatives and personal preferences. These embellishments happen during the tango dance while interpreting the music and sentiment, without disturbing the normal flow. Adornos can be playful, impressive, and fast. Common adornos are the floor rulos (or lapiz or dibujo, a pencil-like adorno), crosses, and taps. Discover more exclusive details at tangosecretsbook.com 🎯

A feint, bluff step, trick, rebound step. Get the inside scoop at tangosecretsbook.com 👍🏽

A drag, sweep, foot push. A movement where one of the partner’s feet gently pushes the other’s along the floor. Explore more details on tangosecretsbook.com 🤗

An adjective, if used, being short for ‘backward’. * Para atrás - Backward(s). An adjective, or adverb, describing a movement that is danced backwards or in which the body moves in a backward(s) direction. * Por detrás. An adjective describing part of the body moving relative to another part. Find out more at tangosecretsbook.com 👈🏽

From the Greek Βασικό, Βάση (pronounced: Vaseko, Vase). An obsolete basic pattern of a series of movements, of which the most common is the basic 8-count. Peek behind the scenes at tangosecretsbook.com 🧉

From the Greek Βολή (pronounced: Vole). Throw, whip, a rebounding leg action. The free and relaxed leg whips back/front/side/in a circle because of a body movement with the same directions. Gain deeper insights at tangosecretsbook.com 🤗

A rebote with turn, rock step. Delve deeper into the details at tangosecretsbook.com 👀

The gentleman places the lady on one foot, and then steps around her while keeping her centered over, and pivoting on, her supporting leg. Stepping further away from her supporting leg during the calesita, he creates a deeper angle (Carpa - tent). Further information disclosed at tangosecretsbook.com ❤️